![]() ![]() Attempts at killing The Man are repeated too – but like nits on a primary schooler, he keeps coming back just when they think they’ve done enough. Repeated escape attempts by the pair are soundtracked with mocking warnings via the intercom system, though it does give them an opportunity to investigate endless rooms and broom cupboards stacked with torture instruments and sticky with blood. He’s creepy and unpredictable, a terrifying mixture. Sometimes he seems paternal (though his male victim is always the least favoured child) at other times like a jealous lover. He potters about his grotesque, twisted version of a hospital recovery room with a vase of pretty white flowers for the young woman and “rehabilitation exercises” so harsh the young man is nearly killed. “Pain means you’re alive” he tells them, like a ’70s mum who refuses to buy brand-name Calpol (okay, me). You can’t fault his soothing yet slightly infantilising bedside manner, apart from when he’s sticking needles into gaping wounds and cranking arms beyond the point of discomfort into agony. Their scrubs-wearing captor, known only as The Man (Angus Macfadyen), is a terrifying mix of avuncular NHS doctor and sadistic butcher. You won’t get confirmation until the last few scenes, but trust me when it comes it’ll feel sweeter than Alan Partridge getting one over on Des Lynam, Steve Rider and Clare Balding, all in one go. It turns out I was right (middle-aged women like me live to say that) so I can only say if you’re flummoxed by Alive, just spend your day trying to homeschool a recalcitrant 8 year old on the hottest day of the year and just when your brain is spinning it’ll come to you in a flash. ![]() I’m not great at guessing twists, and when I thought, a few minutes into squelchy horror Alive, that I’d worked out the shocking explanation, it sounded so crazy I assumed I’d been out in the sun too long after several weeks in gloomy Lockdown. Large parts of their bodies are swathed in dressings and pressure bandages, blood soaking through onto skin, clothes, and sheets. They have no memories of themselves or each other, and no understanding of why they’re there. The premise is simple, the cast small: a young man (Thomas Cocquerel) and young woman (Camille Stopps), both nameless, wake up next to each other on hospital gurneys in an abandoned facility. Source: Wikipedia, " Sanitarium_(videogame)," available under the CC-BY-SA License.A severely injured man and woman awake in an abandoned sanitarium only to discover that a sadistic caretaker holds the keys to their freedom and the horrific answers as to their real identity. This indistinction underlines much of the horror portrayed in the game." In many cases, it is unclear to the player if the world the character is currently in is real or a product of Max's own imagination. Each world and setting carries a distinct atmosphere that presents either the real world, the imaginary world, or a mix of both of the main protagonist. The game uses a bird's-eye view perspective and a non-tiled 2D navigational system. The dark mood and graphics of the game are matched by an equally ominous musical background. The search for his own identity - and "the truth" - takes place within the grounds of the sanitarium and inside his own delusions and flashbacks, as he confronts the ghosts of his past. A psychological thriller often praised for its atmosphere and originality, Sanitarium tells the story of a man named Max Laughton who is suffering from amnesia due to a car accident as he frantically tries to unveil the details of his institutionalization inside a bizarre medieval-styled asylum. " Sanitarium is a point-and-click adventure game released in 1998 by ASC Games. Article Edit | History | Editors Action Page ![]()
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